Also called: Boom Op
Holds a long pole with a microphone just above actors' heads, staying out of the camera frame.
A boom operator studies each shot to find where the mic can go without being seen or casting a shadow, then holds a heavy boom pole overhead for minutes at a time, following every line of dialogue.
Approximate, based on IATSE local rate cards and typical weeks worked; freelance crew income depends on how much work they book.
Approximate: anchored on Bureau of Labor Statistics data for a broader job group.
Certificate, about 1 year after high school. On-the-job training; audio programs help.
Ways in: On-the-job training, 2-year college. Training cost: Get paid while you train.
Majors to look at: Audio Engineering, Film Production.
Growing about average (about 3% over 10 years). Tracks sound technician demand.
Low risk for 10 years. AI audio repair helps in post, but holding a mic just out of frame through long takes stays physical, skilled work.
Classes: Physical education, Music, Film/video production CTE, Theater tech crew.
Official data: O*NET occupation 27-4014.
Career Universe is an early version. Pay, training and AI-risk figures are estimates to start your own research, not verified facts. The research was written with AI research assistants, checked by validation scripts and spot-checked by hand. Check anything important with schools, employers and official sources. How the numbers work.